He’s taken over the Morgan Library & Museum. He was seen recently at the Museum of Modern Art. And now, Frankenstein is set to come alive in New York again, this time at the Public Theater’s Under the Radar Festival.
The Chicago company Manual Cinema will present its shadow puppet-infused mash-up of Mary Shelley’s novel and her biography in the festival, which runs from Jan. 3 through Jan. 13. (It’s the 200th anniversary of Shelley’s novel.)
Under the Radar, now in its 15th year, has performances at the Public itself and in other theaters in the city, with a slate that includes theater artists from around the world.
“Under the Radar is one of the places where the Public acknowledges its international scope,” Mark Russell, the director of the festival, said in a phone interview, adding that the global element of the lineup is “important now more than ever.”
“Hear Word! Naija Women Talk True,” a performance piece directed by Ifeoma Fafunwa, explores issues involving the lives of Nigerian women through music and dance.
And Basel Zaraa, an artist and onetime Palestinian refugee, will perform “As Far as My Fingertips Take Me” by Tania El Khoury, a 15-minute show performed for one audience member at a time.
One of the themes that has emerged from this year’s lineup is contemporary riffs on the classics. In addition to “Frankenstein,” the festival also includes New Saloon’s “Minor Character,” a riff on “Uncle Vanya” and the Chekhov Project’s “I Am a Seagull,” a film that follows a group of actors putting on a production of Chekhov’s “The Seagull.”
Under the Radar will also include a series of concerts at Joe’s Pub, with performances by artists including Penny Arcade, Meow Meow and the Illustrious Blacks.